A Journey Through Parallel Realities
“Double Cosmos” represents an overlooked entry in Clark Ashton Smith’s extensive catalogue of weird fiction. Published posthumously during the 1980s, though penned around 1933, this philosophical science fiction tale demonstrates Smith’s remarkable ability to merge speculative science with metaphysical dread. The story arrives from an era when Smith, alongside contemporaries H.P. Lovecraft and Robert E. Howard, was actively reshaping the boundaries of fantastical literature. Within its pages, readers encounter a narrative that challenges assumptions about consciousness, perception, and the very nature of reality itself. Smith crafts a tale that feels both intimately personal and cosmically vast, exploring territories that would later become central to discussions of parallel universes and altered states of consciousness. The story serves as a bridge between early 20th-century weird fiction and the more expansive cosmic horror that would follow, offering readers a glimpse into dimensions beyond ordinary human experience.
Plot Summary of "Double Cosmos"
The narrative presents itself as the posthumous manuscript of Bernard Meecham, a brilliant yet isolated chemist who disappeared under circumstances that remain shrouded in mystery. Meecham dedicated his life to pushing beyond the conventional boundaries of human perception, conducting extensive research into consciousness-altering substances. His investigations led him to develop a revolutionary theory: that drug-induced hallucinations might not represent mere distortions of sensory input, but rather genuine portals into alternate dimensions of existence.
What Is Lying Beyond Our Perceptions
Meecham’s central philosophical challenge targets the validity of humanity’s five traditional senses, suggesting that what society accepts as “reality” might constitute nothing more than a collective hallucination. This ontological scepticism forms the philosophical backbone of the entire tale.
Central to Meecham’s hypothesis stands the concept of a “dormant sense” within humanity, which he believed might be physiologically connected to the pineal gland. Through careful chemical stimulation, Meecham theorised this latent faculty could be awakened, granting access to parallel worlds that exist alongside our own.
His speculation regarding the pineal gland as an undeveloped “third eye” resonates with ancient esoteric and spiritualist traditions that attributed mystical properties to this small endocrine organ. Various spiritual practices, from Hinduism to Western occultism, have long regarded the pineal gland as a gateway to higher consciousness. Smith’s incorporation of this concept demonstrates his familiarity with both scientific and mystical literature.
The story also examines humanity’s relationship with knowledge and the potentially catastrophic consequences of transcending natural limitations.
Author: Clark Ashton Smith
Clark Ashton Smith (1893-1961) stands as one of the most distinctive voices in early 20th-century fantastic literature. Born in Long Valley, California, Smith was largely self-educated, developing an extraordinary command of language through voracious reading. Though he began his career as a poet, financial necessity drove him towards prose fiction during the 1930s, when he produced the bulk of his weird tales for pulp magazines such as Weird Tales.
Smith’s prose style remains celebrated for its poetic density, often adorned with archaic vocabulary and baroque cadences that set his work apart from most pulp fiction of the era. His tales frequently explore themes of cosmic insignificance, forbidden knowledge, and the fragility of human sanity when confronted with truths beyond mortal comprehension. Unlike Lovecraft’s New England settings or Howard’s historical adventures, Smith created entirely imaginary worlds—Zothique, Hyperborea, Averoigne—that served as stages for his philosophical and aesthetic explorations.
In “Double Cosmos”, however, Smith adopts a more restrained approach, suiting the tone of a scientific-philosophical manuscript. Yet he never abandons his signature style: imagination-rich visual descriptions paired with that distinctive blend of cosmic wonder and existential dread. The text maintains its sombre lyricism even whilst mimicking the format of a scholarly account, demonstrating Smith’s versatility as a craftsman.
My Thoughts on "Double Cosmos"
“Double Cosmos” captivates through its bold interrogation of reality itself, adding a very chilling aspect to the story. Smith demonstrates remarkable prescience in exploring concepts that would later become central to both theoretical physics and consciousness studies. The story’s power lies in its traditional narrative satisfaction and in its capacity to unsettle assumptions about existence with a dark mood. Smith balances scientific speculation with genuine horror. Meecham’s fate doesn’t result from supernatural evil but from humanity’s natural curiosity pushed beyond safe boundaries. This makes the tale more unsettling than conventional horror. I mean; it’s a little uncanny.
The manuscript format proves particularly effective, creating an intimate connection with Meecham’s deteriorating mental state. As readers, we experience his journey through his own increasingly fragmented words, making his final disappearance feel deeply tragic.
Wrapping Up
“Double Cosmos” stands as a hidden gem of speculative fiction, worthy of wider readership and study. Through his exploration of duality and parallel realities, Clark Ashton Smith invites readers to question the boundaries of what we consider “real”, whilst simultaneously highlighting the inherent dangers in humanity’s perpetual thirst to transcend natural limits.
The tale’s elegant, philosophical prose paired with its unsettling narrative trajectory creates a thoroughly engaging reading experience that rewards our attention.
Fans of classic sci-fi, weird fiction, and literature blending horror with the sublime will find this story particularly rewarding.
More mystery and horror works:
The Body Snatcher
Vintage pulp magazine:
Disclaimer: The story featured on this page is in the public domain. However, the original authorship, magazine credits, and any associated illustrations remain the property of their respective creators, illustrators and publishers. This material is provided for informational and educational purposes only and may not be used for commercial sale.